My work explores the boundary between impressionism and abstraction, using texture as a language on its own. I’m drawn to the way layered acrylics can hold movement, light, and emotion – how thick strokes, scraped surfaces, and unexpected marks create a tactile dialogue with the viewer. Rather than depicting a scene literally, I aim to evoke a feeling, a fleeting memory, or the atmosphere of a moment. 

 

Having had a lot of traumas in my life, art is the way I healed, found my faith and learned to fully express myself. That said, acrylics allow me to build layered surfaces that echo the layered nature of the soul. Through scraping, glazing, palette knife work, and textural application, I create paintings that carry history within them. The ridges, cracks, and built-up passages of paint speak to restoration – how brokenness can be reshaped, how scars can hold beauty, how light finds its way into uneven places. 

 

My process is both physical and devotional. Painting becomes an act of meditation - a conversation between control and surrender, intention and trust. I allow the work to unfold organically, much like faith itself. Through abstraction and texture, I invite viewers into a contemplative space - a place to pause, reflect, and encounter something beyond the visible. My hope is that each painting feels less like an image and more like a sacred landscape of the heart.